I sent your letters back, marked them return to sender, there’s no turning back, those pages for me, I know now what I was wrong about, but it’s too late, to talk it out and anyway, the language that we speak is just not the same, I’ll speak from here, you speak from there, I’ll speak from now, you speak about then, there is no blame, no shame, just the end, melted like the fallen snow, the show is over, time to go, I hold no malice in my heart, I’ll choose to let you go, lay it to rest, let it go, it’s for the best, let it go, just let it go, let it go, just let it go, let it go, let it go, let it go, melted like the fallen snow, the show is over, time to go, I hold no malice in my heart, I choose to let you go, a memory (a memory in ) in a photograph (a photograph) it’s faded out (it’s faded out), it’s time has passed (it’s time has passed), some things (some things were never) were never (meant to last) , meant to last, some things were never meant at all (some things were never) (meant at all), lay it to rest, let it go,let it go, it’s for the best, let it go let it go, let it go, it’s for the best (for the best), lay it to rest, let it go, it’s for the best (for the best) let it go let it go, let it go, let it go, oh how we hold on, squeeze it so tight, too scared in the darkness, to open our eyes, we travel from places, to people, from nowhere, our hearts not prepared for the change, that is life, let it go,lay it to rest, let it go, (let it go) it’s for the best, let it go, let it go, let it go, lay it to rest, let it go, it’s for the best, (for the best) let it go, let it go, let it go,
"MGJ first made waves…in New York's loft-jazz scene of the 1970s… alongside such major innovators as Oliver Lake, David
Murray, and Wadada Leo Smith, he quietly laid the groundwork for much of what we take for granted in the contemporary jazz-guitar vocabulary." National Sawdust NY